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Press

The Brooklyn Rail (2024) Critics Page: Tariku Shiferaw

 

The Brooklyn Rail (2023) Art in Conversation: Tariku Shiferaw with Charles M. Schultz

 

Artsy (2022) With Spectacular Installations and Abstractions, Artists Redress...

 

NY Times (2022) These Artists' Hunt for Studio Space Ended at The World Trade...

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The Washington Post (2022) In The Galleries: Connecting Modern Abstraction...

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LA Times (2022) The Take: The Faces of Frieze...

 

Artsy (2021) The Artsy Vanguard 2021: Tariku Shiferaw

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Brooklyn Rail (2021) It’s a love thang, it’s a joy thang

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Artnet (2021) ‘Joy Can Be an Act of Resistance’: Rising-Star Artist Tariku Shiferaw on

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Cultured Mag (2021) Five Contemporary Black Artists You Should Know'

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Art Papers (2020) Tariku Shiferaw

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Brooklyn Rail (2020) Abstraction in the Black Diaspora

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Hyperallergic (2020) Black Artists Claim Their Birthright of Abstraction

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Wallpaper (2020) Five African Artists Demonstrating Creative Resilience in Challenging Times

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Financial Times (2020) Could the Art World’s Experiment with Online Fairs Force A Healthy Rethink?

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Hyperallergic (2020) What Does It Mean To Exhibit “Black Excellence”?

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Barron's Penta Magazine (2020) "Contemporary Artists on Art and Society"

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New York Times (2019) "An Ethiopian Gallery Enriches a Global Art Conversation"

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The Columbus Dispatch (2019) “N.Y. artist Tariku Shiferaw draws from his surroundings in Short North show”

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Art of Choice (2019) “Tariku Shiferaw Investigates Abstract Expressionism’s History”

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Hyperallergic (2018) “Measured and Visually Musical, Two Artists Harmonize”

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Arte Fuse (2018) “Tariku Shiferaw: This Ain’t Safe at Cathouse Proper”

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Hyperallergic (2018) “Taking the Painter Out of Painting”

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Hyperallergic (2017) “How To Embed a Shout: A New Generation of Black Artists Contends with Abstraction”

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Art in America (2017) “Low-Risk Aesthetics: Institutional Critique at MOCA Cleveland”

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The Washington Post (2017) “In the galleries: ‘Afrofuturism,’ defined in the moment, by nine artists”

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BemoreArt (2017) “Afro Pasts / Afro Futures”

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NY Times (2016) Collector Helper at Anthony Phillip Fine Arts

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Paratext and the world of a work in public space: Eisenbach and Mansur’s Placeholders

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© 2023 by TARIKU SHIFERAW STUDIO

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